Slavs and Tatars

Vishal Jugdeo’s Goods Carrier

Hossein Amanat

Michelle Kuo

Larry Gagosian

Michael Stevenson

Michelle Kuo

Slavs and Tatars

Documenta 13

Jeremy Deller

Hassan Khan

Gwangju Biennale 2012

Michael Stevenson

The Imaginary Elsewhere

Aleph Null

Rokni Haerizadeh's The Reign of Winter

A Very Still Life

The Downtown Contemporary Arts Festival

New Museum Triennial

Jumana Manna

Etel Adnan, Aquawoman

Call Me Soft

Pieties

The 3rd Athens Biennale

Lawrence Abu Hamdan

Franziska Pierwoss

Scramble for the Past: A Story of Archaeology in the Ottoman Empire, 1753–1914

Iran via Video Current

The 12th Istanbul Biennial

Iman Issa

Haris Epaminonda

Practical Advice

Rabih Mroué

Talk of the Townhouse

Sharjah Biennial 10

Asunción Molinos Gordo

Molla Nasreddin: The Magazine That Would’ve, Could’ve, Should’ve

Sixty-Four Antiquities Stolen from the Egyptian Museum on January 28

Thirty-Three Questions

Hassan Sharif

Proof That it Happened

Walid Raad

Alvaro Perdices

Mathaf

Mathieu Kleyebe Abonnenc

Artists’ Magazines

Mourina Al Solh / Wael Shawky

Decolonizing Architecture

Pouran Jinchi

Cairo Biennial

Parastou Forouhar

Armen Eloyan

Whirling in the West

Invisible Publics

The Artist-Bureaucrat Speaks

Hrair Sarkissian

Francis Alÿs

Ming Wong

Miljohn Ruperto

Walid Raad and the Atlas Group

Amir Mogharabi

Home Works 5

Elad Lassry

Group Material

Yto Barrada / Etel Adnan

Mohamed Soueid

Harun Farocki

Haris Epaminonda

Emily Jacir

Omer Fast

3rd Riwaq Biennale

Disorientation II: The Rise and Fall of Arab Cities

Wael Shawky

Alejandro Jodorowsky's Dune

Manifesta

The Jerusalem Syndrome

Marwan Rechmaoui

Rasht 29

Lord of the Drone

Culture in the Wake of the Kuwaiti Oil Boom

Fluffy Farhad

Babak Afrassiabi and Nasrin Tabatabai

Nasreen Mohamedi

Serhat Köksal

Video Works

Hito Steyerl

11th Istanbul Biennial

Made in Iran

Alessandro Yazbek & Media Farzin's “Cultural Diplomacy: An Art We Neglect”

Rosalind Nashashibi

The Pick 4

Guy Tillim

Iran Inside Out

One Star is Enough to Make a Cosmos

Saâdane Afif

Shahryar Nashat's Plaque (Slab)

A Conversation with Wayne Koestenbaum

Ziad Antar

Tarek Zaki's Monument X

Rosalind Nashashibi

His Dark Materials

Michael Stevenson

Sherif El-Azma

Beirut Every Other Day

Pow Wow Wow

Human Conditions

Cold War Modern

Emirati Expressions

Etel Adnan

John Wilcock

Taipei Biennial

Yael Bartana

Pia Rönicke and Zeynel A. Kizilyaprak

Previews

Buckminster Fuller

Walid Raad

Sharjah Biennial 9

Iran on Paper

Banu Cennetoğlu

Tuning Baghdad

Mohamed Moussalli

CAMP

Johan Grimonprez & Tom McCarthy

Lawrence Weiner

Tony Shafrazi

The Otolith Group

Roads Were Open/Roads Were Closed

The Jerusalem Show Edition 0.1

La Galerie qui Bouge

Mounira Al Solh

PhotoCairo 4

Cyprien Gaillard

Avant Gardening

Museum of Islamic Art

Khosrow Hassanzadeh

Avant Gardening

Nadim Asfar

The New Normal

Natasha Sadr-Haghigian's Solo Show

Mitra Tabrizian

Art Now in Lebanon

Tehran Roundtable

Anna Boghiguian

Shady El Noshokaty's Stammer

Ayman Ramadan

Nairy Baghramian

Ali Chitsaz

Previews

Tala Madani

I Dream of the Stans

In the Arab World... Now

Rania Stephan's The Three Disappearances of Souad Hosni

A Principle of Assumptions

The Anxious

Home Works IV

Jeffar Khaldi

Christodoulos Panayiotou's Let It Shine

Meeting Points 5

What Remains Is Future

Abbas Akhavan's Correspondences

Nina Katchadourian

Carey Young

What's Happening Now?

Bahman Jalali

Archive Fever

Green Zone / Red Zone

Life Drawing: Approaches to Figurative Practices

Sorry, Out Of Gas

Raphaël Zarka's Riding Modern Art

Kader Attia

Stalking With Stories

This Necrophilic Strategy Entails Some Risk

The FM Ferry Experiment

10th Istanbul Biennial

Riwaq Bienniale

London is the Place for Me

How Nancy Wished That Everything Was an April Fool's Joke

Port City

Contour 2007

7UAE Contemporary Art

Jean-Luc Moulène

The Seasons of Tell-Al Hejara

Shirana Shahbazi

16th Videobrasil

Recognise

Memorial to the Iraq War

Homayoun Sirizi

Documenta 12

Finding The Third Way

Summer Show

Detourism

Reloading Images

Oraib Toukan

New Economy

Sislej Xhafa and the Politics of Perception

A Forest and a Tree

The Politics of Fear

Joana Hadjithomas and Khalil Joreige

Khalil Rabah

Sharing Ladders

Group Tuesday

Dubai Dubai

The Kiwi

Lapdogs of the Bourgeoisie

Ramin Haerizadeh

The Limits of Tolerance

A Defense of Culture

Sharjah Biennial 8

Make Everything New

Under the Indigo Dome

Sensorium

Yael Bartana's Summer Camp

Melik Ohanian

The Maghreb Connection

The Exotic Journey Ends

Camp Campaign

Rokni Haerizadeh

Yama

Claire Fontaine

Nazgol Ansarinia

Akram Zaatari

Yoshua Okon

I Have a Cheap Plastic Camera

Nafas: Beirut

9th Aleppo International Photography Gathering

Liminal Spaces

On Failure

What Noah Knew

Adel Abdessemed

Iran.com — Iranian Art Today

The Hassan Hourani Award

Basim Magdy

As if by Magic

Open Studio Project

A Conversation with Anna Boghiguian

A Conversation with Eyal Danon

Moving Walls

A Conversation with Dr. Saad Bashir Eskander

Image War: Contesting Images of Political Conflict

A Conversation with Shahidul Alam

Ahlam Shibli

Around the World in Eighty Days

A Conversation with Ali-Reza Sami-Azar

Qualities, Being Hidden

Contemporary Arab Representations Act III (The Iraqi Equation)

A Conversation with Trevor Paglen

The Unveiling of Hishshik Bishshik

A Conversation with Khalil Rabah

A Conversation with Homi K. Bhabha

Images of the Middle East

Objects in Conflict, Israeli and Palestinian Stories

A Conversation with Hans Ulrich Obrist

Word into Art: Artists of the Modern Middle East

Walead Beshty

On Palestinian Cinema

Cautious Radicals

Homeworks III

Documents from the Atlas Group Archive

Homeworks III (Another Regard)

The Tehran Museum of Contemporary Art

If It's Too Bad To Be True, It Could Be Disinformation

Wael Shawky

Sub/urbia in Recent Photography

Art as European Invention

Terms Falling

Studio Incident #1

Omer Fast

Despotism, Democracy and the Fetish

Youssef Nabil

Baltic Triennial 33 1/2

Responding to War

Thinking Cypress

Joana Hadjithomas and Khalil Joreige on ‘A Perfect Day’

Mona Hatoum / Sahel al-Hiyari

The 9th Istanbul Biennial

Pashmina Power

Made in Palestine

Venice Biennale

ID Troubles — US Visit / Disappeared in America

There Is Art Here, Lower Your Voices

The Art of Aggression

Flight 405

In/Visible: Contemporary Art by Arab American Artists

Leaps of Faith

7th Sharjah Biennial

Khosrow Hassanzadeh

Emily Jacir

Klartext!

Slogans Are Walls That Prevent Misunderstanding

Establishment Unwound

Welcome

First Balkan Biennial of Contemporary Art

Ebony Tower

Regarding Terror

Turks

Tehran Survey

Atatürk

Yasmeen Al Awadi's Teeyla

Sharjah and Its Biennial

Aside from Being Wildly Intelligent

Inconvenient Evidence

A Conversation with Shahzia Sikander

Natascha Sadr-Haghighian

Previews

Gilbert Hage

Pinar Yolican

Hashem El Madani

Ayse Erkmen

Ethnic Marketing

Form Through Light

Gardens of Persia; Old Wisdom, New Visions

Amman Meeting Points

Encounters Between Civilizations

The Arab Image Foundation

They Shoot Horses

Susan Hefuna

9th Tehran Photography Biennial

Calligraphy

Collector's Diary

Collector's Diary

What's in a Name?

Cinema RIF

Ala Ebtekar

Mediterraneans

LIFT

Arab Art Workshop

Hassan Khan

Breathing Room

Poetics of Proximity

Farhad Moshiri

Alwan for the Arts

Previews

Amina Mansour

The Transformer: On Tareq Abou El Fetouh

Breathing Room

Far Near Distance

Shahram Entekhabi

20th Century British Sculpture

For Bam

Dead Dogs

Having a Take